Tag Archives: Sword and Sorcery

Into The Weird: Exploring The Swords and Sorcery Genre

So I’m nearing the completion of Warglaive Volume One’s second draft. As this is a book largely inspired by Sword and Sorcery (and to a lesser extent Planetary Romance) , I wanted to explore some of my favorite aspects of this once-popular genre. What makes it distinct from the Tolkienesque or D&D-inspired fare of today? Here’s a few thoughts on what I feel are the genre’s essential elements.

The Weird, Pulpy Settings

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One of the things I find really lacking in much of “modern” fantasy is the sense of the truly weird. Fantasy nowadays is filled with familiar tropes and archetypes such as your orcs, elves, dwarves and manual monsters. Back in the 20’s and 30’s however, these tropes weren’t anywhere near as prevalent. Before the widespread appeal of Tolkien and D&D, pulp fiction authors came up with a weird cocktail blend of jungle opera, cosmic horror and mythic adventure.

You never quite knew what you were going to get with a “fantasy” story, as the “genre” wasn’t playing by any rules yet.  One story might have wizards in an Aztec-style temple attempting to stop a giant ape, while another might have Throngar the Barbarian astrally projecting himself through NYC’s Central Park. One of my favorite author quotes comes from an interview with Michael Moorcock, where he compares fantasy to early rock n’ roll. This was back in the day when “rock n roll” meant everything from Black Sabbath, to Led Zeppelin and DEVO.  And in his words, when you know what to expect from rock n’ roll, “the rock n’ roll dies.”

There were downsides to this approach, namely that the worldbuilding was usually far less rigorous than that of Epic Fantasy. Fantasy readers, especially in the age of the internet and wikis, tend to enjoy more fleshed-out and lore-rich worlds like Middle Earth. However, Tolkien’s influence is a double-edged sword, in that most of these secondary worlds look suspiciously like Frodo’s.

One thing I think many people forget is that despite coining the term, Tolkien’s Secondary World really isn’t one in the strictest sense. Like Hyboria and the world of the Wheel of Time series, Middle-Earth is meant to be our world from a long-forgotten age. The trend these days however, is completely different universes, such as World of Warcraft’s Azeroth. These worlds tend to have a very “familiar” feeling though, which makes me wonder…what happened to the fantasy? For such a fantastical genre, it can be awfully derivative at times…

Which leads up back to pulp Sword and Sorcery. While it does have its tropes, said tropes are spread out across a million genres ranging from horror to sci-fi, dark and heroic fantasy, sometimes crossing into full-blown slipstream. And that’s something I really love about this style of fantasy fiction.

Speaking of which…

The Sci-Fi and Horror Elements

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I’m the sort of person who really likes sci-fi peanut butter in my fantasy chocolate if you couldn’t tell. The juxtaposition of science and sorcery is one of my favorite tropes, and something I feel the writers and creators of the 60’s and 70’s really took advantage of. Ralph Bakshi’s excellent film Wizards is a microcosm of the cultural struggles and fears of the time, pitting an evil Nazi sorcerer against the good Fey folk of the woods.

Horror is yet another major influence in the S&s genre. While I previously discussed the “weird” aspect,  Gothic, Post-Apocalypse and other Horror tropes are also present. A good example of this is the influence of the “mad scientist” trope in games like Path of Exile, where ancient temples and eldritch horrors coexist with frightful technology. Creeping crypts, horrific monsters, unspeakable cults and dark magic are all common fantasy tropes “borrowed” from the horror side of Sword & Sorcery. Which is something largely born from pulp authors borrowing from one another’s respective settings.

When I first started writing, I started writing horror. Halloween’s always been tied with Christmas as my favorite holiday, and I’m pretty sure I’ve seen every episode of Tales From the Crypt. Which is why the horror stuff in pulp fantasy appeals to me so much. There’s just something really bad-ass about heroes going toe-to-toe with monsters that utterly terrorize in other stories. Sure, the vampies in Salem’s Lot are spooky, but Conan has f*cked vampires up beyond recognition and that’s just cool.

Individual Heroes Struggling Against a Dangerous World

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Though it’s the third item on this list, individualism is arguably the most important facet of this genre. According to an article on the genre by Black Gate Magazine:

“Sword and sorcery tells the tales of men who are free from all constraint. Their stature and skill mean they are free from the tyranny of other men. Their birth and raising free them from the morals and mores of society, and the lack of higher powers unbinds them from any concept of fate. Thus the heroes of sword and sorcery become the true representatives of free-will, and through their stories, readers are able to imagine the capabilities and the triumphs of men who are completely free to chart their own destiny.”

Heroes such as this are notably different from those in Heroic and Epic fantasy stories, who often work in service of a higher power. These stories are often inspired by myths and epics, while Sword and Sorcery’s roots lie largely in the culture of the Pulps. Stories written for and by working-class individuals, from the same cultural landscape that brought us heroes like Superman.

And ultimately, I feel that’s why the archetypes of Sword and Sorcery (if not always the genre itself in fiction) has lasted as long as it has. Conan for all his failings, was a hero of the downtrodden, freeing slaves and saving those who needed his help. Is he a selfish character compared to say, Superman? Hell yes. He was after all, created as a power fantasy for the dock-workers, factory men and youths who flocked to his stories. But beyond that, he and other heroes like him represent the power to affect change (good or ill) of their own volition, free from (and often against) the will of deities, daemons and meddling kings. Which is just as powerful and timeless a message as you can get.

The Bad and the Ugly

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There are of course, issues with the genre despite all my gushing. And while some of the decline of Sword and Sorcery can be chalked up to over-exposure in the 80’s, there are other reasons.

One of the biggest culprits in my opinion is the pulp short story format. The formula where Conan, or other pulp heroes like The Shadow would encounter an enemy/trial, defeat it, and repeat the cycle anew. While great for one-off stories in the era of newsstands, in today’s Netflix-and-Kindle focused landscape, this sort of storytelling is sub-optimal. People love progression, and characters that dynamically change over time. Which isn’t to say that Robert E. Howard’s characters never changed (Barbarian to Pirate to King). But said stories were done in a very episodic, almost monster-of-the-issue sort of way.

Nowadays with the aforementioned Netflix and Kindle, it’s much easier to include story and character progression without having to worry if you missed an issue of Weird Tales. And as a result, modern readers have begun leaning more towards doorstopper epics and even web serials.  Although one notable figure who transitioned to new online stardom is H.P. Lovecraft, whose work was introduced to many a modern kid via the “creepypasta” (necro)phenomenon.

There’s also the overexposure the genre had in the 1980’s, after a glut of genuinely terrible films like Deathstalker, Ladyhawke, Red Sonja, Krull, Conquest, Hawk the Slayer (it’s rubbish, deal with it) and many more. There were also a number of knock-off Conan characters in toys, comic books and novels that sanded off the bloody, sexual edge and made it woefully PG-rated. By the time the 90’s rolled in, everything “cool” about Sword and Sorcery had been cannibalized by both Heroic Fantasy (Barbarian characters, big monsters, epic adventures) and Grimdark (all the violence, sex, nudity and horror).

Sadly, the sense of the truly weird got lost as a result, as did many of the strange and alien locales. Gone was the sci-fi, and the weird horror. And while there are many aspects of Sword and Sorcery that can use an update, I feel there’s still a lot of elements unique to the genre that can still work. Whether they be other genres borrowing from the classic pulps, or new takes on old styles of storytelling, there’ll always be a future for Swords and Sorcery!

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Book Reveal: Warglaive Volume 1: The City of Tombs

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Cover art by the marvelously talented Travis Anderson

A couple months back, I mentioned I was working on two books to be released this year. The first one I revealed was The Shrouded Emperor, an epic flintlock fantasy book I’m aiming for a Q4 2019 release. However, I also mentioned a then-unnamed sword & sorcery novel that I’d be releasing earlier this year. And I’m very excited to announce the title and concept of said series today.

So without further ado…allow me to introduce Warglaive Volume 1: The City of Tombs!

WHAT IS WARGLAIVE?

Warglaive is a fantasy series inspired by sword and sorcery pulps, tabletop RPGs and retro sci-fi books. I wanted to evoke that feeling readers in the 1920s first felt when cracking open Weird Tales for the first time. That sense of swashbuckling action, dramatic twists and the discovery of strange and wonderful new worlds. At the same time, I wanted to update the formula for 2019, focusing on world-building, magic systems, and more character-driven storytelling. As well newer fantasy elements such as “progression” storytelling a la Andre Rowe.

STORY SYNOPSIS

Betrayed and marked as a sacrifice, Argos awakens in a long-forgotten city miles beneath the world’s surface. Braving gore-stained horrors, forbidden sorcery and daemonic machines, the warrior soon finds others like him who’ve been marked as offering for the Lord of the Deep. With not only his life, but the lives of his newfound allies at stake, Argos must rise and become the hero he’s always aspired to be, or die trying. But in these dark and perilous depths, one question remains…

What can mortal men do against the hunger of a god?

A dark, sci-fantasy story inspired by classic Sword & Sorcery pulps, City of Tombs marks the first action-packed volume in the strange and savage world of WARGLAIVE.

SO WHO’S THE MAIN CHARACTER?

That would be Argos, a “professional hero” who travels across the world of Ryve, fighting villains and slaying monsters for the right price. The problem? He’s essentially a noblebright character in a grimdark setting of corrupt emperors, cosmic horrors and ancient snake-cults. In this world, there’s no such thing as heroes…but that not exactly stopping Argos from trying!

WARGLAIVE VOLUME 1: THE CITY OF TOMBS marks the first installment in my new sword-and-sorcery progression fantasy series. These “volumes” will be short, serialized works released in between my bigger books like Shrouded. Expect updates on the book in the coming weeks, as I work on the last couple drafts before the official launch.

In the mean time, I’ll be writing a bit about Sword and Socrery as a genre, balancing “classic pulp” with “new fantasy,” and the influences behind the book. This has been a setting I’ve been dying to share, and one that I hope both seasoned and new fans of Sci-fi and Fantasy will come to enjoy.

New Year, New Title Reveal!

So it’s 2019, and looking back, I’m honestly a bit stunned at all the stuff I’ve accomplished with writing. I released my short horror story, and a sword and sorcery one is coming next. I started author interviews with folks like Mark Lawrence, Christopher Wolf and Alec Hutson. And I’ve started work on not one, but two books I plan on releasing this year. So I thought I’d share a bit about what I’m cooking up, revealing a title and the ideas behind both books.

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The first is The Shrouded Emperor, an epic fantasy story inspired by late 17th century America and paranormal horror. It contains all the elements you’ve come to enjoy from the genre such as warriors, wizards, questing, battles between good and evil…the whole nine yards. However, there’s a bit of Lovecraftian horror thrown in the mix, as well as firearms and some old-timey tech. Think Johnny Tremain meets Wheel of Time with a dash of Call of Cthulhu and The Nightmare. Weird stuff, but I’m seriously digging what I’m writing, and I think you’ll really dig it if you’re a fan of more Robert Jordan/Tolkien side of things.

The second is a swords-and-sorcery inspired novel. Very much a Conan-style “wandering warrior beats the sh*t out of wizards” kind of deal, but set in a trippy setting that’s less like the middle ages and more like a prog rock album cover. Morrowind, Pirates of Dark Water and John Carter of Mars were all inspirations for the setting, a weird, almost alien world of brass cities and perilous sorcerers. As this is a tribute to Moorcock, Conan, Lieber and other such writers, it’s going to be very short and very weird. Like, I know what I described above sounds a bit out there, but this one has it beat by quite a lot. Maybe play some Pink Floyd in the background when reading this bad boy. Title is still TBD, but very close to being picked.

My swords-and-sorcery book’ll most likely come out before Shrouded Emperor as it’s one third the size. I’m working on cover design for that right now, and the cover for SE is already done. I’ll be revealing that later on in the year however, around mid to late summer 2019. Expect a cover reveal for the swords-and-sorcery book in the next couple months.

Author interviews will continue, but in the months leading up to the release dates of my books, they’ll decrease somewhat. I will however, be bringing some really cool ones to the table, including the #SPFBO finalists and a few more. So stay tuned for that as well!

Overall though, 2019 will be the year this blog focuses more on my content, now that I’m beginning to release it. I’m really looking forward to sharing these stories with you all, and hope you enjoy them when they’re out!

Happy Birthday, Robert E. Howard!

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So today is the birthday of pulp fantasy titan Robert E. Howard. One of my personal literary heroes and monumental influence in genre fiction, Robert E. Howard is the creator of Conan the Barbarian, Kull the Conqueror, and Solomon Kane. As you may have gathered, I’m a bit of a fan.

While Robert E. Howard isn’t as popular or ‘academic” as J.R.R. Tolkien, there’s a lot to be said about his more working-class, American style of fantasy prose. One that eschews Elvish linguistics and epic backstories for bare-knuckled grit and bronze-age spectacle, and made fantasy lit accessible to millions. On top of that, he inspired the kick-ass paintings of Frank Frazetta, basically the entire Sword and Sorcery genre, Khal Drago, Barbarians and Fighters in your favorite RPGs…the list goes on and on…So happy birthday, Robert!

If you’d like my personal breakdown of why you should absolutely check out his Conan stories, here’s a handy link to my post on the subject. And by Crom, give these stories a shot, you won’t regret it!

Worldbuilding Series: Weird Western vs Northam Fantasy

 

I admit, I am a bit obsessed with categorizations. I love learning about new sub-genres in fiction, and seeing different flavors of fantasy, sci-fi and horror pop up over the years. Sci-fi for example, has gone from planetary romance a la John Carter, to the space opera of Flash Gordon, Isaac Asimov’s hard sci-fi, William Gibson’s cyberpunk, and the new wave of self and trad pub military space opera.

Fantasy too, is going through some very cool changes. What used to be a fairly straightforward genre of elves, dwarves and drow is rapidly ballooning into several unique and interesting sub-genres. And one of my all-time favorite fantasy subgenre, the subgenre that I personally write in…doesn’t have a name. You can look for it on Worlds Without End, but it’s not on there. And thus, in lieu of finding a genre category that these stories fit, I decided to name my own. North American Fantasy, or “Northam” for short.

“But hey!” I hear you say…”Isn’t that just Weird Western?” And to that I say no. There’s a lot of difference between the two, and here’s why, as well as my thoughts on this emerging sub-genre. My two cents on that below:

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Genre Giants: Michael Moorcock’s Elric

 

In the Genre Giants series, we look at book settings and series old and new, from historic franchises to new series with massive potential! Today, something wicked this way comes. Fantasy’s original dark antihero Elric of Melnibone steps into the spotlight!

“Edgy” is a word that gets thrown around a lot these days, usually in a mocking way. These days, self-aware snark is in, largely thanks to the Marvel Cinematic Universe and cult films like Scott Pilgrim that defined modern millennial culture. It also doesn’t help that the early 2000s were filled with unbearably cringy things attempting to be “dark,” which came across more like the Goth Kids from South Park than today’s subject.

And let’s not beat around the bush here…Elric is really edgy, but in a good way. It is at its core, a critique of the classic Tolkienesque good/evil dichotomy that’s dominated the genre for ages. And it’s thanks in large part to Michael Moorcock’s epic that we have books like A Song of Ice and Fire and Black Company taking up space next to Wheel of Time and Lord of the Rings.

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Genre Giants: Conan the Barbarian

 

In the Genre Giants series, we look at book settings and series old and new, from historic franchises to series with massive potential! Today we venture forth into the grim and wild world of Hyperborea, and meet its most famous and savage inhabitant….

King, Conqueror, Pirate, Warrior…Barbarian.

Conan is all these things, and a bad-ass character to boot. His world and setting are a rare sort these days, a bronze-age, sword-and-sandal affair. Though less common in the modern fantasy landscape, the Hyperborean world remains iconic and enduring in our pop culture. Games like Conan Exiles and movies like 2011’s Conan the Barbarian (as well as comics, tabletop games, etc) have kept the flame of this seasoned IP alive, even amongst shinier and newer peers like Warcraft and Sanderson’s Cosmere.

I’m a huge lover of all things genre pulp (especially H.P. Lovecraft’s Mythos), and Conan is no exception. It has however, dropped off in popularity recently, as have other sword-and-sorcery fantasy IPs. So I’m here today to try and convince the discerning reader that yes, these shorts are awesome. And here’s why:

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