Scott Oden is a historical fantasy author, a fan of the Sword and Sorcery genre, and an avid gamer since 1979. Publisher’s Weekly called his work “…complex as an old tree’s roots, and a pleasure to read,” in a starred review. He’s gained a reputation for combining historical fact with fantastical elements more commonly seen in a Tolkien or Dargonlance book, yet his stories are grim, gritty and frightfully realistic. I reached out to Scott to get the scoop on his books, as well as his thoughts on historical fantasy, getting published, and the works of Robert E. Howard.
MARTIN: So Scott, can you tell us a bit about your writing journey? What led you to become an author, and who or what are your biggest influences in your genre?
SCOTT: I first got it in my mind that I wanted to write as my profession back in 1981, at the age of 14. I recall seeing something in an old issue of my brother’s Writer’s Digest about authors being paid and I was, like, “say what? People pay you for that?” My brother was already a journalist with dreams of writing the Great American Novel, so he had a few books on craft; the rest I gleaned from skimming WD and from emulating my favorite author — Robert E. Howard. I embarked upon a thoroughly inconsequential short story career, after that, ultimately writing 30-odd short stories that earned me nothing but rejection slips over the years. I turned my hand to novel writing, choosing as my debut a pastiche Conan novel I intended to write for Tor Books (they were unaware of my intent, by the way; younger Scott was all about asking forgiveness rather than begging permission). A friend had recently hit the big leagues with his third or fourth novel, so I harassed him for feedback on my three Conan chapters — which had been endlessly written and rewritten over the past years. He took me to task: “It’s decent, but what will you do if you can’t sell it to Tor? Write your own characters, man!” He said a lot more, but that was the gut punch.
So, I regrouped. I went back to the drawing board, and in December of 2000 I started writing what would become Men of Bronze — which is barbarian fiction in the guise of a historical novel. A string of bad life events had left me extremely depressed at the time, so my motivation was literally “write or die”. I do not recommend this route, by the way. It is neither glamorous nor romantic. It is asking for trouble, really. Somehow, though, I pulled it off. Wrote my first novel by Spring of 2002, had an agent by 2003, and sold it in early 2004 to a small start-up publisher called Medallion Press. I have been under contract to various publishers since.