Tag Archives: Low Fantasy

SPFBO ’18 Finalists: Where to Start With New Self-Published Fantasy


So Self-published Fantasy Blog-Off 2018 wrapped up not too long ago, and I recently realized I never put a list together! Yes, I’ve been meaning to do this, but some personal stuff’s been eating away at my time as of late, and I’ve only now put together my summary of the finalists. There’s a lot of cool stuff to be found here though, and If you’re a new reader looking to dive into indie fantasy, these fresh new picks are a good way to get started!

For ease of browsing, I’ve separated all these into different genres. Links go to the books’ Amazon pages, and you can check out a list of the reviews and scores at Mark Lawrence’s blog. Speaking of Mark Larence, you can check out the quick interview I did with him if you’re curious about #SPFBO and how it came to be.

And with that out of the way, here’s our list of last year’s finalists!


We Ride the Storm by Devin MadsonGrim, Asian-inspired worlds of horseriders and swordslingers. There’s a preview up online that I read, and it reminds me a bit of the Dothraki bits from early Song of Fire and Ice. Devin Madson is again, no newbie when it comes to writing, and if you like Asian fantasy, she’s written other books with that theming.


Symphony of the Wind by Steve McKinnonVast worldbuilding, multiple POVs and some light steampunk elements. If you’re looking for another deep, rich world to sink your teeth into, this novel’s worth a read!


The Anointed by Keith Ward Some really interesting concepts here! Immortality, proxy-bodies, dragonriders and water that things cannot float on (meaning no boats — and probably no Pennywise either). This one seems to be almost a lost breed of epic fantasy, one which has almost sci-fi-esque concepts in worldbuilding.


The Gods of Men by Barbra KlossEpic fantasy with bits of Romance, this book is highly lauded, and Kloss is already a proven author witha good track record in adult and YA lit. If you enjoy both those things, as well as fantasy in the Sanderson mold, this book’s for you.


Aching God by Mike Shel Epic Fantasy from a Pathfinder narrative writer who went on to make his own series. Seems to have a paranormal bent, with haunted places and creepy tombs. The series seems to borrow a bit from hack-and-slash RPG sessions, and gamers will probably enjoy this one a lot.


Ruthless Magic by Megan CreweFirst in a YA series about magicians living in our world. It’s described as essentially similar to the best of late Harry Potter, but with a darker edge. As someone who got fed up with the Chocolate Frogs and Whimsy-Dimsy in Harry Potter, this seems like it draws from the cooler bits. Dementors, Aurors, etc. If you like YA and Urban Fantasy, give this one a go.


Sowing by Angie GrigaliunasDystopian YA in a secondary fantasy setting. A lot of YA takes place in our world, but I find I enjoy it more when you add a unique setting to the mix. This one I personally find really intriguing! There’s some real hype here for Angie’s world, and I’m curious to see what it’s all about. Supposedly has a Hunger Games feel, but with more fun fantasy worldbuilding elements.


Sworn to the Night by Craig SchaeferUrban fantasy with other worlds, witches, NYPD officers and other bizarro elements that set it aside from the “Anita Blake Leather-Hunter” type stories. Urban fantasy is one of those things that I feel needs a really strong and unique hook to work. Something like Fables or I Was a Teenage Weredeer. If you like the weirder, dreamlike side of Urban Fantasy, give this one a go.


Out of Nowhere by Patrick LeClerc Urban fantasy about an immortal “healer” who acts as a paramedic. Upon healing the wrong person, his life and the life of those he loves is put into jeopardy. The author himself is a paramedic, so the novel comes with a real sense of authenticity, kind of like a John Grisham law novel. Concept seems like Highlander meets Grey’s Anatomy, which is a huge deviation from regular Urban Fantasy. Probably the biggest curveball in this entire group.


Orconomics by J. Zachary PikeBiting social satire meets RPG tropes. If you enjoy the Discworld series, give this series a read. There aren’t enough comedic western fantasy novels of this sort out there, but Pike seems to be making a name for himself quite rapidly in that space.

THOUGHTS: Epic/High Fantasy is a genre that continues to get a lot of love in the self-pub space. To the point where even a lot of trad Epic Fantasy has its roots in indie (Licanus, Books of Babel, et cetera). What’s really cool though is the emergence of stuff like We Ride the Storm, which is a far cry from the medieval European settings of many books. Also, much like Andrew Rowe before him, we see a former writer from the gaming space (Keith Ward) going the indie route to tell his own story.

YA also had a really strong showing this year, with some titles that seemingly learned a lot from the big names (Harry Potter, Mortal Bones, Hunger Games, etc) but go in interesting and unique directions. Sowing in particular is something I’ve heard nothing but rave reviews for. I’ve even heard some folks claim it’s the next Throne of Glass, which is high praise coming from the YA crowd.

Lastly, we got some really strange but cool additions in Urban Fantasy and “Other”. Orconomics has sort of a “Discworldy” feel to it, which is quite unique in a field awash with lots of Epic and Urban stuff. And speaking of the latter, our two Urban entries are strikingly unique and a far cry from the Anita Blakes and Twilights of the genre. All in all, another really exciting year!

PERSONAL PICKS: YA isn’t really my thing, but Sowing has me intrigued. Among the Epic Fantasy books, We Ride the Storm and Aching God look the most intriguing. And while it wasn’t a finalist, D.P. Prior’s Carnifex has me intrigued. I like dwarves, especially the berserk, Warhammer Fantasy-style dwarves, so that has me intrigued. Plus, the title is bad-ass.

Also, while I’m focusing on the finalists, there’s a lot of really good books that made it to second or third place in the contest. Michael R. Baker’s The Thousand Scars gets brought up a lot by fans of grimdark, and I have that one on Kindle on my TBR list. While it didn’t make it to the finals, it does have a lot of fans, and there’s a few more books that are similarly liked that didn’t make the finalist place. If you know of any, feel free to comment below and share your thoughts!


A Beginner’s Guide to Self-Published Fantasy Novels


“Self-published novels are complete and utter trash!”

Even with high-profile SFF like The Martian and Eragon in the public spotlight, the stigma persists.The idea that self-published novels are slush-pile rejects at best, and groady monster/dinosaur porn at worst. And up until very recently, I had similar misgivings about the self-pub Amazon space. After purchasing a print copy of JP Ashman’s Black Cross however, it completely changed my perception of what self-published books could be.

Soon I found myself checking out more and more titles from the self-published space. Paternus, Where Loyalties Lie, Bloodrush and more. And again, they turned out to be really freakin’ good. Like, “holy cow, I’ve really been missing out” kind of good. And So I started to take the self-published space a lot more seriously. Are there bad books? Sure, but it’s increasingly easy to separate the good from the bad. Much more so than it was in say, 2010.

Still, there’s a definitely a curation problem on the Amazon platform. With traditional publishing at least, you can get a feel for what different imprints (TOR, Orbit, Baen, etc) tend to put out. Amazon’s a bit more like the Wild West, with all sorts of different books crammed into one store. Sometimes it can be hard finding just the right book, which is why I put together this guide for newbies such as me.

But first things first…

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Wordbuilding Series: A Case for Spears


This article came about after consulting a HEMA instructor on facebook about what weapons and armor, were best for a (gunless) fantasy party. The results were surprising, to say the least, and certainly not what’s usually depicted in fantasy games, books and movies.

For starters, heavy plate armor is kind of a no-no. Mobility is key for a questing/adventuring scenario, and thus, cloth armor like a gambeson is best suited for the task. But most surprising of all was the preference for spears and long weapons. The short swords and legendary blades often depicted in fantasy media were apparently unrealistic in most common scenarios (specifically adventuring). A quick Youtube search revealed that instructor I consulted wasn’t the only HEMA expert who shared that opinion, and that really intrigued me. So I thought I’d delve a bit deeper into this subject and do some more research on why this is the case. Are spears really the best weapon for adventuring? And if so, why are they so lacking in fantasy media?



Before I go any further here, I want to point something out. When I say “fantasy story,” I generally mean the adventuring, questing, dungeon-delving type. If your fantasy story is about courtly intrigue or wizards opening a chain hamburger restaurant, then feel free to disregard all this and do your own thing.

But when it comes to questing — specifically hunting things whose bodily fluids may or may not turn you into a zombie/vampire/werewolf/obsidian horror, distance is key. If werewolves were real, you would want a weapon that keeps them as far the heck away from you as humanly possible. This is one major advantage a good spear has that even a legendary Excalibur-esque magical blade commonly depicted in media simply doesn’t.

Spears are also incredibly easy to use, and don’t normally require a lot of training or finesse to be able to use adequately. Sure, there are some polearm martial skills you can learn to better wield such weapons, but the base mode of use for a spear is simple. You point and thrust. Given that many fantasy adventure questing-stories revolve around young and/or inexperienced protagonists with little fighting prowess, this is an ideal starter weapon for them.

But all this is of course, speculation. I mean, it’s not like there’s real-world monsters that we can look at historically to see if this is all accurate, right?


There are in fact, some real-world animals we can look at for inspiration when it comes to monster-hunting or questing in fantasy fiction. A real-world monster that’s so cunning, intelligent and dangerous, they strike fear even in the hearts of seasoned, fully-armed hunters in the real world.



On a whim, I decided to use the same principle applied fictional fantasy monster-hunting and see if there’s any real-world equivalent. And sure enough, when I type in “boar hunting art medieval” on Google Image Search, a good majority of the images overwhelmingly depict spears being used.


And let me be real here. I wasn’t kidding when I said boars were basically monsters. They are. In fact, here’s an excerpt from a hunting site I found that says as much.

Experienced hunters say that wild boar can be even more dangerous to hunt than a bear. Equipped with thick, razor-sharp tusks, and a razor-sharp mind (hogs are the 4th most intelligent animal in the world) a wild boar can weigh a staggering 660 lbs and exhibit extremely aggressive and unpredictable behavior.

Hunters be warned! After wounding a boar, give the animal plenty of time before you follow it in to the bush. Otherwise, you’ll go from being the hunter to the hunted. Boars will circle a human adversary, charge rampantly and attack from behind.

So just to recap, the big pigs are worse than grizzly bears. Add a surprising amount of intelligence to that, and we basically have a good stand-in for a fantasy monster. And the historical evidence (and logic) overwhelmingly suggests that spears (and arbalests) are the best option here.

Logically speaking though, it makes sense, right? Whether it’s chittering skeletons with rusty swords, or some warlock muttering arcane curses at the back of a battlefield, spears are a great primary option for taking them out. They can be thrown, thrusted, used as polearms or even as a magic staff for more martially-minded wizardly types.

Popular culture though, keeps depicting the use of swords in adventuring parties, as well as a host of other inaccuracies, such as leather armor and the dreaded “fantasy weapons/armor.” You know, the ones that look like the protagonists got them from Alibaba, but people somehow still insist look cool?


With all that established then…


Well there’s no real concrete theory as to why this is, and it’s all speculation on my part. But I do have a few ideas…

First off, there’s iconography. People just kind of take for granted that swords are they way to go, because swords are cool, right? He-Man had one, Luke Skywalker had one, the friggin’ Beastmaster had one (and a tiger)…it’s just kind of embedded in our psyche that swords are bad-ass while spears are just kind of that other thing. I mean, maybe Dave has one, but is Dave He-Man? Does he have the power? Probably not.

This is probably because throughout history, great heroes are generally depicted as bearing swords in particular. From St. George and the Dragon, to Perseus, to King Arthur, cool swords were what heroes and kings used, while common hunters and peons in the front lines used boring old spears. One kills dragons, the other kills…boars.

Another reason why spears might not be as popular is because they’re pretty basic. You just kind of point them at the thing you want to kill and push forward. There’s no mystique or allure in terms of martial arts or sword-craft associated with them usually. They’re just kind of plain and boring at first glance. And they aren’t often very cool-looking. They’re usually wooden sticks with a simple, pointy thing at the end. Practical? Absolutely. But plain? Well, yeah. Not exactly Excalibur in the aesthetics department.


So let’s say you’re an aspiring fantasy writer (or aspiring to make a different fantasy novel). You want to do something different and more historically accurate than the typical “guy/gal with sword” story. And so you wanna go the spear route. But you also don’t want to be boring. So how do we make a spear as bad-ass and iconic as Excalibur or Luke’s lightsaber?

In terms of Iconography, you can always reference or model your character’s spear after legendary weapons like Gungir and Green Dragon Sabre. There also is an Odinic connotation of spears with old men and wizardry. So if your main character is say, going to become a wizard, a spear thematically works for him/her because it doubles as a magic staff. Guan Yu, the Chinese figure of legend, was also seen as a great warrior with sage-like, almost Paladin-esque qualities. If you’re going for a wuxia (Chinese fantasy) theme, the Guan Dao (sword-spear) is an iconic and powerful weapon evoking honor, virtue and godliness, especially when paired with the color green. And of course, if you want something a bit more fun, you can have a character in a western fantasy setting pick up a Guan Dao from a foreign merchant, or work it into their culture. They are pretty bad-ass weapons, and stand out more than the standard knife-on-stick look. And there’s a whole suite of martial arts associated with it, so boom! There’s an easy fix for the innate boring-ness of spears.


Archetypally speaking though, the spear as a weapon projects confidence, fatherhood, authority, utility, magic, and war. The Guan Dao projects all this as well  — plus it’s basically the Chinese version of a Paladin’s mace if you wanna go that route. And of course, seeing how the basic standard-issue spear was used frequently in big game hunting, it can work thematically for a hunter character as well.

Alternatively though, if you’re going for a more realistic fantasy story, you could forgo a lot of the legendary stuff and focus a more on the prep time and tactics of monster-hunting and fighting. In reality, fights are pretty short and deadly, and rarely involve karate-flipping Matrix action. But they do require tactics, foresight and planning, and thus a Rainbow Six-esque fantasy setup with realistic arms, armor and quick, bloody skirmishes would be a neat spin on the questing formula. Spears of course, are a must for this. You’ll need them, plus a couple arbalest wielders, and a wizard or healer if your setting allows it.  But even if it doesn’t, a fantasy story about a ragtag group of spear-wielding adventurers braving a world of horrible monsters with tactics and tenacity could be pretty gripping (and potentially grimdark).


Off the top of my head too, the practical nature of the spear itself could be used as a theme. Maybe you can flip a trope on its head and make the all-powerful magic sword essentially useless against enemies with longer range, and make the hero rely on a boring old spear to get the job done. Maybe a stereotypical group of adventurers sets out with nothing but “enchanted weapons” and gets their asses kicked by warriors wearing practical arms and armor? That could be fun. Or silver spears used to dispatch werewolves sin nil-biting conflicts where one simple scratch makes you a goner? Honestly, there’s a lot of cool stuff you can do with spears. And given how lacking they are in many fantasy settings, it’s a simple addition you can use to spice up your story and add some realism.

But hey, that’s just my 2 cents. Know any fantasy books with bad-ass spears? Got thoughts on the subject? Let me know in the comments, I’d love to hear more thoughts on this!

Worldbuilding Series: The Six Degrees of Grimdark


There was a conversation a few weeks ago on a Facebook group I frequent called Grimdark Fiction Readers & Writers. On it, there was a very interesting discussion about what constitutes “grimdark” as a sub-genre. This topic tends to pop up here and there, and after thinking about it for some time, I decided to try and give some categorizations a go.

Grimdark, for those of you who aren’t aware, is a term used to denote settings that are gritty and violent, or have a lingering, visceral sense of dread and horror. It’s different from Gothic Horror (stuff like Dracula) in that there’s not usually a sense of beauty and prose to counterbalance the darkness. Movies like Final Destination or Friday the 13th aren’t grimdark either, because they often have very cheesy acting or so-bad-its-good humor that might be “scary” but lacks the looming dread and grimness of a grimdark piece of media.

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Genre Giants: Conan the Barbarian


In the Genre Giants series, we look at book settings and series old and new, from historic franchises to series with massive potential! Today we venture forth into the grim and wild world of Hyperborea, and meet its most famous and savage inhabitant….

King, Conqueror, Pirate, Warrior…Barbarian.

Conan is all these things, and a bad-ass character to boot. His world and setting are a rare sort these days, a bronze-age, sword-and-sandal affair. Though less common in the modern fantasy landscape, the Hyperborean world remains iconic and enduring in our pop culture. Games like Conan Exiles and movies like 2011’s Conan the Barbarian (as well as comics, tabletop games, etc) have kept the flame of this seasoned IP alive, even amongst shinier and newer peers like Warcraft and Sanderson’s Cosmere.

I’m a huge lover of all things genre pulp (especially H.P. Lovecraft’s Mythos), and Conan is no exception. It has however, dropped off in popularity recently, as have other sword-and-sorcery fantasy IPs. So I’m here today to try and convince the discerning reader that yes, these shorts are awesome. And here’s why:

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