Tag Archives: Fantasy

Artist Spotlight: Travis Anderson

So recently I revealed the cover art for my upcoming book. That art was done by Travis Anderson, an artist who’s worked on many projects, including the Dragobourne TCG, SYFY’s Deadly Class,  and the VR title Gadgeteer, which you can grab here on Steam.  He’s also the lead artist at indie board game studio Tabula, creators of the card game Volfyirion.

I chose Travis due to his stunning and strange art, which blends the fantastical, alien and dreamlike into something truly unique. Because of the eclectic gene mix I was looking for, I felt he was the perfect artist to bring Argos to life for the cover for City of Tombs.

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Book Reveal: Warglaive Volume 1: The City of Tombs


Cover art by the marvelously talented Travis Anderson

A couple months back, I mentioned I was working on two books to be released this year. The first one I revealed was The Shrouded Emperor, an epic flintlock fantasy book I’m aiming for a Q4 2019 release. However, I also mentioned a then-unnamed sword & sorcery novel that I’d be releasing earlier this year. And I’m very excited to announce the title and concept of said series today.

So without further ado…allow me to introduce Warglaive Volume 1: The City of Tombs!


Warglaive is a fantasy series inspired by sword and sorcery pulps, tabletop RPGs and retro sci-fi books. I wanted to evoke that feeling readers in the 1920s first felt when cracking open Weird Tales for the first time. That sense of swashbuckling action, dramatic twists and the discovery of strange and wonderful new worlds. At the same time, I wanted to update the formula for 2019, focusing on world-building, magic systems, and more character-driven storytelling. As well newer fantasy elements such as “progression” storytelling a la Andre Rowe.


Betrayed and marked as a sacrifice, Argos awakens in a long-forgotten city miles beneath the world’s surface. Braving gore-stained horrors, forbidden sorcery and daemonic machines, the warrior soon finds others like him who’ve been marked as offering for the Lord of the Deep. With not only his life, but the lives of his newfound allies at stake, Argos must rise and become the hero he’s always aspired to be, or die trying. But in these dark and perilous depths, one question remains…

What can mortal men do against the hunger of a god?

A dark, sci-fantasy story inspired by classic Sword & Sorcery pulps, City of Tombs marks the first action-packed volume in the strange and savage world of WARGLAIVE.


That would be Argos, a “professional hero” who travels across the world of Ryve, fighting villains and slaying monsters for the right price. The problem? He’s essentially a noblebright character in a grimdark setting of corrupt emperors, cosmic horrors and ancient snake-cults. In this world, there’s no such thing as heroes…but that not exactly stopping Argos from trying!

WARGLAIVE VOLUME 1: THE CITY OF TOMBS marks the first installment in my new sword-and-sorcery progression fantasy series. These “volumes” will be short, serialized works released in between my bigger books like Shrouded. Expect updates on the book in the coming weeks, as I work on the last couple drafts before the official launch.

In the mean time, I’ll be writing a bit about Sword and Socrery as a genre, balancing “classic pulp” with “new fantasy,” and the influences behind the book. This has been a setting I’ve been dying to share, and one that I hope both seasoned and new fans of Sci-fi and Fantasy will come to enjoy.

Rising of the Shield Hero Watch-Through Episode 5 & 6: “Filo” and “A New Comrade”


So last week, I had to take a break from Shield Hero reviews, and had to deal with some personal stuff. This week I’m playing catch-up however, and giving you guys a two-for-one special!

For those who are new to these breakdowns, I’m covering each episode of “Rising of the Shield Hero” and looking at Japanese fantasy and light novel adaptations from a western writer’s perspective. You can check out my prior watch-through articles here, and if you want to check out the story yourself, you can buy the novel on Amazon, or watch it for free on Crunchyroll. With all that out of the way, let’s dive into these breakdowns and meet the latest addition to Naofumi’s party, Filo!


Episode 5 starts off with the world’s Queen, who’s doing recon with some spies seen in earlier episodes. Apparently she’s aware of what her daughter’s done, and is relived that Naofumi’s making progress and has a party member. Why she’s away and what role she’ll play in the future episodes remains to be seen, but at least she seems fairly sane, unlike the other royals.

Back at the Melomarc castle, each of the Cardinal Heroes are being handed out payments by the King. Spear Hero gets the largest amount, and Naofumi predictably gets shafted. He initially is only given 500 silvers (compared to Spear Hero’s 4000, and the other two’s 3,800) but the King claims the cost of removing Raphtalia’s brand means he can’t pay Naofumi anything. This is of course, such flagrant BS that the Bow and Sword hero speak out immediately. Naofumi angrily takes the silvers, and Raphtailia sasses the King because she’s just that good.

We cut to Raphalia getting the slave crest tattooed on her again, which was apparently her idea, possibly as a giant middle finger to the royals. She sees it as a sign of her faith in him, indicating that she’d never lie or betray Naofumi. And also as a sneaky way for her to attempt flirting with Naofumi, as after it’s been applied, she asks him “what do you think?” Naofumi doesn’t seem to take the hint, and ignores her, instead noticing he’s gained a “slave user’s shield” ability. Monopoly Man then suggests he sell Raphtalia, and Naofumi jokingly considers it, much to Raphtalia’s dismay. Naofumi is distracted by a bunch of eggs which the slaver informs him hold different sorts of monsters. Basically, they’re old timey loot boxes, as each one has a mount hatchling, with the possibility of a cool dragon. Naofumi decides to plink down his money for one of the loot boxes, despite Raphtalia’s protestations.

After this, Naofumi does the rounds, going to various shopkeepers who all seem to be much, much cooler with him then they used to be. Though it’s not explicitly shown, it seems that word’s going round about how Myne’s accusations basically amounted to “Fake News.” And after meeting with a witch who offers him grimoires and thanks him for saving a relative in Lute Village, Naofumi notes how people are actually thanking him for once. Naofumi decides he needs to learn how to read this world’s language so he can learn magic, and Raphtalia says she can help. They focus on that for a bit, but the next day, Naofumi wakes up to find his loot box hatching. And…

It’s a chocobo filolial. No cool dragon, no rare mount, just the fantasy equivalent of getting a ratty skin in CSGO. He decides he needs a mount anyway, and takes her with her as he hunts. It seems she’s growing quite fast under his care, and in no time at all, “Filo” as he so un-creatively dubs her, grows to be a pretty big birdy. As well as super fast. But as he notes how Filo’s grown, Naofumi notices a commotion in the village. As it turns out, Myne is causing a scene, as she declares the Spear Hero is the lord of this village, and also that the taxes are going way, WAY up. Naofumi can’t help but butt in, and points out that the taxes are literally more than a HUNDRED TIMES MORE EXPENSIVE than a night at the inn. The townies are (understandably) pissed, and before anyone can do anything, the same cloaked figures who met with the Queen appear in front of Myne, offering her a letter from Mommy Dearest, no doubt telling her to cease her bullshit. We don’t see the contents, but whatever it is enrages Myne to the point where she challenges Naofumi to a race to determine the fate of the village. If Spear Hero wins, her rule is law. But if Naofumi wins, things go back to normal.

After some protestations, Naofumi accepts, and Raphtalia notices that Filo is giving a nearby dragon mount the stink-eye. As it turns out, this is Spear Hero’s mount, and when he arrives to mock Naofumi and Filo, Filo responds with a swift kick to the dick. Which is apparently so bad it required healing magic.

So yeah, I like Filo. If for nothing else, than for that.

After the sausage repair’s been administered, Naofumi and Spear Hero race. Myne, being the psychotic individual she is, pays some of her knights to lay Mario Kart-esque spells and traps on the track. Despite this, they seem to have about as much effect as ACME gadgets have on the road runner, and she and Naofumi win in the end. After this, Filo seems to undergo yet another change, as she becomes a Fat Chocobo Filolial, and Myne accuses him of having a special mount and thus, cheating. But just the, the queen’s agents point out that Myne seems to be the one who cheated, and she leaves in a huff. The thankful villagers hand Naofumi a wagon and a trader’s pass as thanks, which’ll allow him to enter any city without paying the toll.

The episode ends with everyone nodding off after a long day, and seemingly everything’s back to normal…until Naofumi wakes up, only to find a small, suspiciously winged human child where Filo once was, who knows Naofumi’s name and demands to be fed.

Episode 6 picks off where 5 left off, as it turns out Filo is in fact, a super-rare Filolial Queen, with magical abilities that include wind and shape shifting into a humanoid form (aka the aforementioned child). Her shape-shifting proves problematic however, as she goes through clothes like Bruce Banner on Tax Day. Fed up with having to constantly buy her clothes, Naofumi goes to see a magic textiles merchant, who apparently is in love with how cute Filo is. In classic RPG fashion, she says she can make magic clothes that change shape with Filo if he can get a special gemstone that can help her convert raw mana into wearable thread. Naofumi then sets off to get it, as Filo pulls his cart cheerily, singing a little song about how she’ll kick Spear Hero in the dick if she ever sees him again. It’s precious. That alone brought her up a few notches in my personal character ranking for this show.

On the way to town however, Naofumi comes across a man who’s travelling on foot to heal his sick mother. Naofumi decides to unhook Filo from his wagon (in bird form, obviously) and give the man a ride on her back. After healing the sick woman, he makes a habit of acting as a doctor to each village he travels, using his prior medical knowledge to heal and make some money on the side. Shortly after this, a new reputation begins to spread, one of the Shield Hero being a healer of the people, riding a carriage pulled by a filolial goddess. Naofumi is blissfully ignorant of this, until he meets an “accessory trader” who tells him all this. Things soon turn south however, as a bunch of bandits attack the wagon and make some very untoward passes at Raphtalia. This turns out to be a terrible idea, as Filo and Raphtalia make short work of them. As they beg for their lives, Naofumi flips on Villain mode again, and threatens to feed them to Filo. When they plead for their lives, Naofumi agrees to spare them…after they give him all their belongings.

The trader is impressed by this, and through him, Naofumi gains access to traders’ circles, where he begins to pick up information through the collective grapevine of merchants. Of particular note is that the Spear Hero found some miracle item that made plants grow in one village. He also learns how to craft magic gems, and eventually finds a location where he can grab a gem capable of extracting mana for Filo’s dress. Unfortunately, said gems are only located in the abandoned lab of an evil alchemist. And after meeting with the old witch from Episode 5, she agrees to accompany them to recover the gem. When they first enter, things seem pretty low-key, and the only thing of note is a pedestal bearing a plaque that warns that the item here is an “evil seed that must not be disturbed.” Ominously, it seems it’s been taken from its box, and Naofumi ignores it for now, instead going toward s the source of the gems. After encountering some monsters, Naofumi makes it to the “Boss Room,” where a fearsome Nue guards the treasure. This is actually a pretty bad-ass monster, almost like the Chimera from Greek mythology. And as it turns out, it’s highly perceptive, and has lightning elemental magic to boot.

Though the Nue proves tough, Filo and Raphtalia’s new magical abilities prove quite useful in this fight, and showcase how far they’ve come. Raphtalia in particular has an affinity for illusion and shadow magic, making her a sort of ninja/rogue fighter that compliment’s Naofumi’s shield tanking. Filo on the other hand, has really strong kicks that are literally capable of shattering a monster’s skull.

And on that note, a bit of an aside. In order to get my point across, I’d like to share a personal anecdote with you all. I was at a grocery store at one point, and I met a guy who had this big half-wolf dog on a leash. I’d never seen a wolfdog in person before, and was curious what they were like. So being a dog person, I said he was a beautiful dog, and asked if I could give him a quick pet.

“Sure thing, he’s a good boy. He loves making new friends.””

So I pet him on the head, and the first thing I noted was how ROCK SOLID his skull was. Like, it felt like it was actually made of granite or something. And at that moment, I realized this thing could easily kill me in a matter of seconds if I so much as moved the wrong way. But as the owner said, he was a good boy and loved making new friends. Which is why I’m not currently in a box six feet under the ground.

What’s the point of this story, you ask? Well, looking back, I realized that this was the closest I’d ever gotten to what was biologically speaking, a wild predator animal. And given that the Nue in this story was even bigger than that, can you imagine how hard that thing’s skull is? With that in mind, think about how much force it required for Filo to shatter that thing’s skull. Probably several tons of force delivered at lightning speed, right?

Now consider this. The force required to shatter that rock-solid, murderous skull of a wild animal was what was unleashed at full force onto the Spear Hero’s dick. It was enough force to send him flying several feet in the air, and required actual healing magic to fix his shattered pelvis and groin. This has absolutely nothing to do with the plot, but I feel it’s worth mentioning all the same, because that sparkly douchebag had it coming.

Anyway, they kill the nue and obtain the gemstone. Filo gets her transforming dress, and will no doubt look adorable as she delivers untold carnage to the Spear Hero’s nether regions should their paths cross again. So yeah, these were fantastic episodes, if for no other reason than that.


I missed my watch-through post last week, but given how both episodes are short and focused on Filo, it made sense to group them together.

I’m not entirely sure what to think of Filo, because her entire purpose seems to be “annoying and cute,” and I guess to have a mascot character in the show. I feel like Raphtalia fills all those niches (minus the “annoying”) part, and does them better. That said, I was expecting her to be almost Jar Jar esque for some reason (The Filolial designs look really annoying, I dunno) and while she is a little like that, she’s also not unbearably horrible either. She just seems kind of bland compared to everyone’s favorite trash panda lady, though seeing adult Raphtaila get jealous whenever Naofumi pays any attention to Filo is just hysterical.

One thing I do find really funny is their relationship dynamic. Filo is basically just a baby chick with shapeshifting powers, so because she sees Naofumi as her dad she takes the form of a little girl. But Naofumi already sees himself as a father figure to Raphtaila, who’s apparently SHOCKED AND DISTRESSED upon hearing this. So both Filo and Raphtalia low-key hate each other because they both want Naofumi’s attention, albeit in very different ways. I’ve seen some folks on social media saying Trash Panda literally got “daughter-zoned,” and the fact that that’s even a thing is very, very funny to me.

Also, grumpy dad Naofumi is still best Naofumi. Again, characterization is where the show really shines, and I feel that the metamorphosis of Naofumi’s character from vengeful and angry to kind of surly and grouchy yet caring is one of the show’s most fun aspects. He still plays the villain card when it suits him though, but it seems he’s warmed up to commoners at the very least. In the early episodes, he was a dickweed to pretty much anyone, but now most of that hate is reserved for Spear Hero, Myne/Malty and that geriatric asshole king, who’s probably my least favorite character in this entire thing.

Speaking of Spear Hero, let’s dial it back a bit to Episode 5. One big criticism I have of the show as it goes on, is that I feel Spear Hero is kind of becoming a sucky antagonist. I was expecting him to play more of a Gaston-esque role, and Episode 4 was the closest we ever got to seeing that. But in “Filo,” he just kind of seems like an idiot who’s being manipulated by Myne. He literally stands there as villagers protest to being taxed out the hoo-hah, and just kind of smiles like a giant jagoff, completely oblivious to the damage he’s caused. Granted, it makes Myne out to be an even worse person than we thought (apparently that’s possible), and if it wasn’t blatantly obvious by now, she’s clearly a sociopath who enjoys harming those of “lesser status,” be they the Shield Hero or defenseless commoners. At first I thought she just wanted to target Naofumi, but that isn’t the case at all. Anyone and everyone is fair game to her, men women and children alike. As long as she can get away with crimes against vulnerable people, she gets her kicks out of it. It’s really sick, and if that “evil seed” happens to be the same item Spear Hero got to “replenish the crops” or whatever, she’s even more blatantly evil than I thought.

Interestingly though, Myne/Malty’s increasingly terrible actions are beginning to get noticed. And it seems more and more people aren’t treating Naofumi like an actual monster. I think as time goes on and word gets around, people have begun to realize that Myne’s full of it. Shieldbro’s saved multiple lives at this point, going out of his way to heal the sick, fight bandits and show a level of care that most Cardinal Heroes wouldn’t bother with. Granted, he still demands payment for all this and puts on a “surly hardass” routine all the while. But it goes back to what I feel is the show’s main theme, “actions speak louder than words.”

Though these two episodes were pretty laid-back, I feel they’re setting up for something really, really big. Everything seems almost too relaxed, and the hints they’ve given so far are pretty ominous. I expect the next few episodes to have some major revelations, and possibly some more Snidely Whiplash-ing from Myne. In any case, I’m excited to see what come next, especially as Wave Two draws ever nearer…

Like this episode? If so, please like and share, and tell us who’s the better party member! Is it Trash Panda Girl, or Bird Child? Leave a comment and let me know who’s your favorite!

SPFBO ’18 Finalists: Where to Start With New Self-Published Fantasy


So Self-published Fantasy Blog-Off 2018 wrapped up not too long ago, and I recently realized I never put a list together! Yes, I’ve been meaning to do this, but some personal stuff’s been eating away at my time as of late, and I’ve only now put together my summary of the finalists. There’s a lot of cool stuff to be found here though, and If you’re a new reader looking to dive into indie fantasy, these fresh new picks are a good way to get started!

For ease of browsing, I’ve separated all these into different genres. Links go to the books’ Amazon pages, and you can check out a list of the reviews and scores at Mark Lawrence’s blog. Speaking of Mark Larence, you can check out the quick interview I did with him if you’re curious about #SPFBO and how it came to be.

And with that out of the way, here’s our list of last year’s finalists!


We Ride the Storm by Devin MadsonGrim, Asian-inspired worlds of horseriders and swordslingers. There’s a preview up online that I read, and it reminds me a bit of the Dothraki bits from early Song of Fire and Ice. Devin Madson is again, no newbie when it comes to writing, and if you like Asian fantasy, she’s written other books with that theming.


Symphony of the Wind by Steve McKinnonVast worldbuilding, multiple POVs and some light steampunk elements. If you’re looking for another deep, rich world to sink your teeth into, this novel’s worth a read!


The Anointed by Keith Ward Some really interesting concepts here! Immortality, proxy-bodies, dragonriders and water that things cannot float on (meaning no boats — and probably no Pennywise either). This one seems to be almost a lost breed of epic fantasy, one which has almost sci-fi-esque concepts in worldbuilding.


The Gods of Men by Barbra KlossEpic fantasy with bits of Romance, this book is highly lauded, and Kloss is already a proven author witha good track record in adult and YA lit. If you enjoy both those things, as well as fantasy in the Sanderson mold, this book’s for you.


Aching God by Mike Shel Epic Fantasy from a Pathfinder narrative writer who went on to make his own series. Seems to have a paranormal bent, with haunted places and creepy tombs. The series seems to borrow a bit from hack-and-slash RPG sessions, and gamers will probably enjoy this one a lot.


Ruthless Magic by Megan CreweFirst in a YA series about magicians living in our world. It’s described as essentially similar to the best of late Harry Potter, but with a darker edge. As someone who got fed up with the Chocolate Frogs and Whimsy-Dimsy in Harry Potter, this seems like it draws from the cooler bits. Dementors, Aurors, etc. If you like YA and Urban Fantasy, give this one a go.


Sowing by Angie GrigaliunasDystopian YA in a secondary fantasy setting. A lot of YA takes place in our world, but I find I enjoy it more when you add a unique setting to the mix. This one I personally find really intriguing! There’s some real hype here for Angie’s world, and I’m curious to see what it’s all about. Supposedly has a Hunger Games feel, but with more fun fantasy worldbuilding elements.


Sworn to the Night by Craig SchaeferUrban fantasy with other worlds, witches, NYPD officers and other bizarro elements that set it aside from the “Anita Blake Leather-Hunter” type stories. Urban fantasy is one of those things that I feel needs a really strong and unique hook to work. Something like Fables or I Was a Teenage Weredeer. If you like the weirder, dreamlike side of Urban Fantasy, give this one a go.


Out of Nowhere by Patrick LeClerc Urban fantasy about an immortal “healer” who acts as a paramedic. Upon healing the wrong person, his life and the life of those he loves is put into jeopardy. The author himself is a paramedic, so the novel comes with a real sense of authenticity, kind of like a John Grisham law novel. Concept seems like Highlander meets Grey’s Anatomy, which is a huge deviation from regular Urban Fantasy. Probably the biggest curveball in this entire group.


Orconomics by J. Zachary PikeBiting social satire meets RPG tropes. If you enjoy the Discworld series, give this series a read. There aren’t enough comedic western fantasy novels of this sort out there, but Pike seems to be making a name for himself quite rapidly in that space.

THOUGHTS: Epic/High Fantasy is a genre that continues to get a lot of love in the self-pub space. To the point where even a lot of trad Epic Fantasy has its roots in indie (Licanus, Books of Babel, et cetera). What’s really cool though is the emergence of stuff like We Ride the Storm, which is a far cry from the medieval European settings of many books. Also, much like Andrew Rowe before him, we see a former writer from the gaming space (Keith Ward) going the indie route to tell his own story.

YA also had a really strong showing this year, with some titles that seemingly learned a lot from the big names (Harry Potter, Mortal Bones, Hunger Games, etc) but go in interesting and unique directions. Sowing in particular is something I’ve heard nothing but rave reviews for. I’ve even heard some folks claim it’s the next Throne of Glass, which is high praise coming from the YA crowd.

Lastly, we got some really strange but cool additions in Urban Fantasy and “Other”. Orconomics has sort of a “Discworldy” feel to it, which is quite unique in a field awash with lots of Epic and Urban stuff. And speaking of the latter, our two Urban entries are strikingly unique and a far cry from the Anita Blakes and Twilights of the genre. All in all, another really exciting year!

PERSONAL PICKS: YA isn’t really my thing, but Sowing has me intrigued. Among the Epic Fantasy books, We Ride the Storm and Aching God look the most intriguing. And while it wasn’t a finalist, D.P. Prior’s Carnifex has me intrigued. I like dwarves, especially the berserk, Warhammer Fantasy-style dwarves, so that has me intrigued. Plus, the title is bad-ass.

Also, while I’m focusing on the finalists, there’s a lot of really good books that made it to second or third place in the contest. Michael R. Baker’s The Thousand Scars gets brought up a lot by fans of grimdark, and I have that one on Kindle on my TBR list. While it didn’t make it to the finals, it does have a lot of fans, and there’s a few more books that are similarly liked that didn’t make the finalist place. If you know of any, feel free to comment below and share your thoughts!

Why I’m Self-Publishing my Fantasy Novels

So back when I started this blog and began the first draft of The Shrouded Emperor, my intent was to go the traditional route. Pitch to agents, cross my fingers and hope my manuscript didn’t find a home in File 13.

However, as I began joining author communities, I began to notice something very interesting. A lot of self-published authors were very active members, mingling with traditionally-published names and promoting each others’ work. Up until this point, I’d always considered self-publishing to be a repository of sorts for bargain-bin trash, Twilight knock-offs and ideas too weird to be mainstream. Sure, you’d get a Wool or Riyria Chronicles, but those were exceptions to the rules, right?

More and more I find that’s simply not the case. There’s bad books too, and the werewolf/Santa romance novels are still inexplicably being made by some madman/woman I pray I’ll never meet. There’s also some more indie-centric genres like LitRPGs that I’m personally not super into. But there’s also some really, really unique and exciting stuff out there. And given the decline of brick-and-mortar retailers and the rise of Amazon as a hub for books, it’s a shift that makes sense. Even New York Times bestsellers like Brian McClellan are jumping on the bandwagon, and self-publishing stars like Rob Hayes get featured by Barnes and Noble’s website. The landscape is changing rapidly, and after weighing all my options, I decided a while back, that going the independent route is what makes the most sense for me.

So on that note, I’d like to address some common criticisms of self-pub, and why it makes sense for me personally.

But don’t you want to be in bookstores? Go on book tours?

You mean those same chain bookstores that are rapidly going out of business? The ones  stock loads and loads of geeky film & TV merch and Magic the Gathering cards just to stay afloat? The bookstores where many bestsellers in the non-licensed and non-legacy SFF section were originally self-pubs?

The dark day of chain bookstores’ demise draws nearer and nearer, and while it saddens me to no end, that’s simply how things are going. Almost every book I buy, trad and self-pub alike, I get through Amazon. It’s simply more convenient (and cheaper) than getting in the car, burning gas, stopping to get a single book and then stopping to get something to eat on the way back. And look – I love the aesthetic and smell and experience of stepping into Barnes and Noble, scrolling through the SFF section and looking at all the books. I love grabbing a Tazo tea and a sugar cookie and leafing through the stuff I find. It’s a relaxing and wonderful atmosphere, but the future of publishing draws ever nearer. And it looks less like a coffee house and more like Print-On-Demand.

As for indie bookstores – well, many of them are doing alright, and some of them even feature authors like me for book signings and other events. Tours on the other hand – are best done digitally these days, unless you’re a huge celebrity who rakes in a ton of money from appearances. I’d personally rather invest in audio gear and tour digitally on podcasts, blogs and Youtube channels I know’ll get the word out. It also frees me up to pursue more platforms that might otherwise get overlooked. And granted, even with all that, bigger publishers generally have the upper hand right now. But like I said, the landscape is changing. And going indie allows me to react to said changes and keep the rights to my IP, manuscripts and cover art so I can adapt to said changes as they happen.

But what are the odds you’ll make any money?

Who knows, man? Some folks I’ve seen like Daniel Arenson have made a good deal off of self-published books. Others make an income, but not enough to go full-time. And many, many more simply don’t get a return on their investment. This however, is simply a risk of writing any sort of book, as many traditionally-published books never make back their advance. So when you get down to it, ALL publishing is gambling. ALL writers are dreamers pulling on the slot machine with the hopes of scoring a big payout. And the vast majority aren’t “big winners.”

The difference is that with self-publishing, I can at least blow on the dice a little, and in the astronomical off chance I win big, my payout is larger than most of the other guys. Also hedging things in my favor is the fact that:

A) I’m not a new writer, but have been doing comic book short stories, game writing (traditional and video), film scripts, and more for about 3+ years now.

B) I’ve gone through the submission process for all the above and have been accepted on a good deal. Most of those were for indie projects, so take that how you will. I’ve always kind of preferred indie things though, so that sort of factors into these decisions a bit

C) I’ve also worked with artists, and understand how to make a visually-compelling character for cover art and interior illustrations. Specifically in my gamedev work, I’m actually very active with the art team despite hardly being able to draw a straight line myself. I’ve worked with some folks who’ve done work even for major tabletop and gaming companies (as in, possibly some of the first ones that came to your head when i said those things), so at this point I’m confident that I can help put together cover branding for myself that doesn’t suck paint.

D) I’ve talked at length to various book industry professionals both trad and indie, and I have an “inside baseball” view on what sells and what doesn’t in the current market, both in trad and in self-publishing. That’s not to say I’m an expert, or the Grand Poohbah of book sales, but I do have an inkling of how it all shakes out.

In short, I have a leg up on a lot of other people who are diving in dry to the slippery pits of Kindle Direct Publishing. I’d rather carve out my own destiny in publishing knowing what I know, then potentially have my book get saddled with really generic cover art, or not sell to markets I know’ll buy the book.

Granted, there’s still massive success stories like Ed Mcdonald and Nicholas Eames, both of whom are newcomers (and totally cool guys to boot) and doing marvelously well in the current trad fantasy space. And were it not for certain people I know and certain skills I have, I’d still hedge my bets on trad publishing as being the best option. And let me be frank here to any potential authors reading this – for 99% of writers, it probably still is. If you don’t have experience working with concept artists, or know Photoshop well enough to make a pro book cover, I suggest you bite the bullet and take whatever cover’s given to you by a publisher who knows their stuff. It’s better than say, getting cover art that looks like this. If you haven’t talked with editors who’ve worked for some truly big writers, then it’s probably best to go through the submission process and take whatever edits are given to you.

I have done those things though, and I also have knowledge of platforms like Youtube, which are criminally underused by booksellers and publishers. There’s also Discord, which is a really amazing tool for building communities of folks interested in your work. Going indie means I have the freedom to experiment with these new platforms, as well as utilize platforms like Youtube Live/Twitch, blogging networks, and more. In other words, I can afford to move at a speed the rest of publishing can’t, at the expense of not getting as much “traditional” coverage as other authors.

But what about the self-pub stigma?

Oh gee, you mean that thing that doesn’t actually exist in 2019?

Yes, long ago, there was a time back when the Amazon store was flooded with quite a bit of vampire novels and cheap monster smut. Everyone had a nice hearty chuckle at them…but then something interesting began to happen. Books like Wool and The Martian got critical acclaim, and more serious authors began considering it as a viable alternative. Come 2018, some of SFF’s boldest voices are coming from the self-published scene, and are winning real awards. Even the covers on some of these books are significantly better than many trad offerings, even those of NYT bestsellers.

And when you get down to brass tacks, Sturgeon’s Law is a thing even in trad publishing. A stroll down Barnes and Noble’s shelves will yield not only some really solid and great books, but terrible-looking Urban Fantasy novels, and even secondary world fantasy that doesn’t look that far off from dollar store romance novels. On the other hand, nobody’s turning their noses up at The Crimson Queen, Paternus, Arcane Ascension or Manifest Delusions. ALL these books get high marks among core fantasy readers, and I when I talk to people about interesting worlds, magic systems or other fantasy elements, I see these books get brought up with increasing frequency.

I think in the end, it all boils down to making a quality product. Cover, internal formatting, editing, the whole nine yards. There isn’t really self-pub stigma now so much as there is bad book stigma. And trust me, there’s plenty of (if not necessarily more) trad published books that miss the mark in spectacular fashion. Editorial weeds many of these out, but as of now, Self-Pub has proven to be a perfectly adequate vehicle for good SFF in recent years. It’s not an editorial and commercial greenlight per se, but it’s also not a death sentence either.

Part of the reason I chose to self-publish is because I have the means to control many of these quality elements, and have a product I know will be both what I want, and optimized for the market.

Okay, but didn’t you say curation was a problem for indies?

Eyup. And sadly, that’s gonna be one of the big issues I face going forward. For those of you who don’t know, I wrote a post about self-publishing a while back. In it, I said the biggest problem with the self-pub space was the lack of “curation” or “brands” that people could associate with different products. So for example, TOR is well known for their epic fantasy series, while Baen has a loyal fanbase of gun enthusiasts, veterans, engineers and hard sci-fi fanatics. Their logos aren’t just mindless branding, they’re an assurance to said fans of a certain quality and expectation.

So when people go through the fiery hoops of agents, publishers and editors, they’re not just doing it to “appease gatekeepers” or gain a fat paycheck. They’re doing so to help get their book to a publisher that’ll act as a curator and promoter for their content. And one of the big, gaping problems with independent books, is that you’re going out there without that curation. Orbit books are different than TOR books, which are different than Baen books. But when you join Amazon KDP, you’re thrown in with vary flavors of whatever genre you’ve chosen.

There is one major element of curation you’re seeing more of though, and that’s book blogs and Booktube (aka book Youtubers). These independent reviewers, as well as larger sites like Kirkus and Fantasy Faction, are responsible for driving many sales and informing the wider market of new and hot books. And in may cases, a good self-published novel can get as much coverage and care as a trad book. That said, self-publishing actually opens some doors into markets that otherwise might not be explored, while many of the big review sites might still review my stuff.

…But You’d Still Accept a Publishing Deal if Offered, Right?

Actually…yes! Though perhaps not in the way you’d think…

You see, I want creative and editorial control (to a certain degree, anyway) of the two fantasy series I’m working on currently. It’s deeply important to me, and not just something I’m writing for cash (although cash is a wonderful thing to have). However, if there’s interest in my work from traditional publishers, I’d be more than happy to work on exclusive books specifically for that market, or translations of my indie books into other languages. If there’s territories that might enjoy my work but don’t speak much English for instance, I’d strongly consider a foreign publishing deal if I was hypothetically approached. And while the chances of that are very slim, it is something I’ve still considered nonetheless.

That said, I still want control over my IPs whenever possible. So in most cases, the answer would still be no, unless it was a deal no sane person could refuse. I love indie art, indie films and indie fiction. More and more I find myself reading indie fantasy, which is increasingly topping the bestseller lists of Amazon. And while there’s no guarantee I’ll be successful or popular with my work…hey, it’s worth a shot.

Rising of the Shield Hero Watch-Through Episode 3: “Wave of Catastrophe”

So here we are, three episodes in. These summaries are pretty meaty, but folks seem to enjoy them, and the show’s given me quite a bit to cover in these posts. For those who are new to these breakdowns, I’m covering each episode of “Rising of the Shield Hero” and explaining how western SFF writers and readers can learn from Japanese “Light Novels”. If you’re not a writer, and simply want my thoughts on the show, then gain, feel free to skip the last bit. Also, you can read episode summary one and two with the links.

If you want to check out the story, you can buy the novel on Amazonor watch it for free on Crunchyroll. So without further ado, let’s dig into the summary! Also, spoiler warning.

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Rising of the Shield Hero Watch-Through Episode 2: “The Slave Girl”


So, continuing where I left off, I’ll be analyzing the anime “Rising of the Shield Hero” and explaining how western SFF writers and readers can learn from Japanese “Light Novels”. If you’re not a writer, and simply want my thoughts on the show, then feel free to skip the last bit.

Again, you can watch the show here, or buy the novel on Amazon. If you enjoy my posts and haven’t yet checked out the series, the show is free to watch on Crunchyroll, though delayed by a week.

So with that out of the way, onto the summary! Also, obligatory spoiler warning.
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